Instead, when he "talks" a comic book style word balloon appears next to him, which he and those around him often awkwardly stop to look at. Certain scenes cut back and forth between live-action and comic book panels, and Spider-Man himself never speaks out loud, though all the other characters do. These were silly, kid-oriented stories that are fairly bizarre to watch now. There was a bad guy named the Sandman in one episode, but he had no connection to the Spider-Man comic book villain, nor did any familiar comic book characters besides Spidey himself show up here.
These segments ran from just a couple of minutes long to several minutes, and featured Spider-Man facing off - though not actually fighting, this being a children's educational show - against a bevy of odd villains such as Eye Patch, The Tickler (don't ask), The Wall and The Thumper, not to mention a woman dressed in an Easter Bunny costume. Seagran was the man wearing the costume on The Electric Company in their "Spidey Super Story" segments. Sure Tobey Maguire may be better known, but it's a guy named Danny Seagren who first played a live-action Spider-Man. The Electric Company: "Spidey Super Stories" (1974 - 1977)
Give the theme a listen now, and odds are you'll be humming it to yourself for a good long while.
#SPIDERMAN TV THEME SONG SERIES#
The theme song alone has proven to have more lasting appeal than entire seasons of some of the other series (live-action and not) produced around the character. Though Spidey has definitely grown beyond the humble beginnings of this cartoon, the show helped establish some of the more famous elements of his story outside the pages of a comic book.
#SPIDERMAN TV THEME SONG MOVIE#
The soundtrack of that movie featured another (and less memorable) cover of the song, this time by Aerosmith. The song was memorably covered by The Ramones, and then featured in the closing credits of Sam Raimi 's Spider-Man film. With the opening line of "Spider-Man, Spider-Man, Does whatever a spider can," that song is how some people who had never read a comic book learned who Spider-Man was. It deserves special recognition for being the first incarnation of Peter Parker and his alter-ego in another medium, but the show is probably best remembered for the catchy theme song. Jonah Jameson's Hitler moustache.ĭespite the cheap look, hokey stories and silly dialogue, the show is generally regarded fondly by fans who remember the series. Many of the classic villains appear in this series, including all of those that Raimi ended up using (with the exception of Venom). The color scheme maintained the four colors of the comics and most of the established villains looked like their news print counterparts. Still, even with the cheap production value, the show looked and felt like Spider-Man.
In fact, two episodes of the series were produced by taking Bakshi's earlier series, Rocket Robin Hood, taking out the character cells, and putting in Spider-Man. The show's animation was low budget, and got even lower when Bakshi got involved. Production was then picked up by Krantz Films with soon-to-be legendary animator Ralph Bakshi overseeing the series. Although the first season of Spider-Man was a success, Grantray-Lawrence went out of business after the show's first year. This original incarnation was an animated series produced by Canadian studio Grantray-Lawrence Animation. As of right now in 2019, here are The 10 Best Superhero Theme Songs, Ranked.In 1967, five years after making his first appearance in comic books, Spider-Man made his first appearance on television. Fans are only going to get more and more musical bliss as movies come down the pipeline. The themes on this list have withstood the test of time because they’re that good, that memorable. Thanks to the success and subsequent success of the MCU and every film it produces, not only are more and more comic book movies being greenlit, but more and more composers want to create an emotional and impactful score to accompany the superhero’s journey. If you haven’t seen Into The Spider-Verse yet, you should - at least for “What’s Up Danger,” and Miles realizing he CAN be Spider-Man. What Teenage Mutant Ninja Turtles fan doesn’t occasionally hum Chuck Lorre’s theme song to the late eighties cartoon (yes, THAT Chuck Lorre!)? You’re lying to yourself and society if you can say you’ve never hummed the 1960s Batman theme.
When the right piece of music composed for a film, it becomes iconic and pushes the movie or TV series even farther into the upper echelon. It evokes all kinds of feelings and emotions in a listener that otherwise wouldn’t be there.
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